浮云世事
卡蒂·奥廷宁,卡里·瓦纳宁,叶琳娜·萨罗,萨卡里·库斯曼嫩,马库·佩尔托拉
20世纪30年代,战争的幽灵盘桓世界上空。纳粹相信妖术可以帮助他们迈向胜利,于是派出手下四处寻找便捷的“治世良方”。1936年,在美国西弗吉尼亚的一个偏僻乡村复仇溪,诚实善良的沃尔纳一家迎来一名不速之客。隶属于北美地区德国遗产学术委员会的理查德·沃斯博士(Michael Fassbender 饰)来到这里,借住在沃尔纳家。一家人虽然心有惴惴,不过看在钱的份上欣然接纳沃斯博士,并对其表现出诚挚的热情,却不曾想对方带来了难以置信的灾难。 2007年,警察伊万·马歇尔(Henry Cavill 饰)生活正陷入困境。他的哥哥维克多(Dominic Purcell 饰)一度消失。当他以为兄长已死时,维克多却突然出现,带着弟弟来到复仇溪。维克多究竟经历了怎样的磨难?这与30年代沃尔纳一家的遭遇又有什么关联?
卡蒂·奥廷宁,卡里·瓦纳宁,叶琳娜·萨罗,萨卡里·库斯曼嫩,马库·佩尔托拉
何塞·马利亚·亚兹皮克,贝塔·巴斯克斯,伊里娅·德尔·里奥,Francisco Ortiz,Jesús Lloveras,Sergio Crespo,Ali Boulabiar,Mouad Ghazouan,Elena Seijo,Marta Poveda,Ana Garcia Molero,Paloma Otero,Beka Lemonjava,Alberto Ladrón de Guevara,Yuri Mykhaylychenko,Hicham Malayo,Arántzazu Ruiz,María
克里斯·海姆斯沃斯,泰莎·汤普森,丽贝卡·弗格森,库梅尔·南贾尼,拉菲·斯波,艾玛·汤普森,连姆·尼森,戴维娜·西塔拉姆,纳西尔·贾玛,维克托里娅·菲斯,佩内洛普·卡普迪雅,斯蒂芬·怀特,安纳托·陶布曼,露丝·霍洛克斯,贝恩·科拉科,马西·哈里尔,希滕·珀泰尔,通恰伊·古奈什,艾德里安·阿尔瓦拉多,史蒂芬·萨姆森,曼迪娅·弗罗里,黄渤,伊隆·马斯克
李先彬,金玟锡,全益玲,刘庆秀
申河均,李光洙,李絮,朴哲民,权海骁,吉海妍,金重基,崔广日,禹志贤
姜文
维多里奥·德·西卡
大卫·芬奇
贾樟柯
理查德·林克莱特
黄建中
陈木胜
肯·罗奇
一对从外地来到北京打拼的陌生男女由于被骗不得已合租一间地下室,并同睡一张床引发的一段啼笑皆非的故事,与其他合租不同的是两人分时段合租,男孩晚上住,女孩白天住。那么两人如何被骗,又是怎样住在一起,女孩晚上又在做什么?而当这张床又被笨贼盯上,几人围绕这张床又会发生怎样出人意料的故事呢?很快我们就能得到答案。 该剧针对性强,受众度广,笑点密集,情节曲折幽默,搞笑而不搞怪,通俗而不低俗。
2005年圣节前3天,电子游戏设计员米正在赶制全新游戏-极乐迷宫,准备在圣诞日推出面大量发售.岂料异变突然发生,游戏里的主角苏被病毒感染产生自主意志,厌倦了打打杀杀无限续局的残酷生涯,要求杰米删除游戏程式,另一边厢,电脑集团又派人催促杰米赶快交货,进退维谷的,他只好兵行险著,策动一场网络革命……
俄罗斯喜剧,萨沙·季托夫的生活十分完美:他年轻有为,是广告公司的设计经理。但是一天早上,一个小女孩闯入了他的生活。她叫阿莉娅,她告诉萨沙自己是他的女儿。萨沙是否准备好迎接命运带给他的惊喜呢,这是否会改变他早已习惯的单身生活呢?
เป็นเรื่องราวหลังจาก ที่ผีนางนากแห่งทุ่งพระโขนง โดนสมเด็จโตปราบและได้นำปั้นเหน่งของนางนากไปบำเพ็ญเพียรกับพระมาก ทุ่งพระโขนงจึงกลับมามีความสงบสุข 10 ปีต่อมามีผีเด็กอาละวาดทำร้ายคนในทุ่งพระโขนงอีกครั้ง ชาวบ้านหวาดผวาว่าเป็นฝีมือของ ไอ้แดง ลูกของนางนากที่สมเด็จโตไม่ได้นำร่างไปบำเพ็ญเพียรด้วย ทำให้ชาวบ้านทุ่งพระโขนงหวาดผวาและหาทางที่จะทำให้หมู่บ้านกลับมาสงบสุขให้ได้
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
落魄潦倒的革命者鲍勃(莱昂纳多·迪卡普里奥 饰)终日生活在草木皆兵的偏执状态,他与世隔绝,只和坚韧自立的女儿薇拉(蔡斯·英菲尼迪 饰)相依为命。然而,当鲍勃的宿敌(西恩·潘 饰)在16年后再度现身,女儿也突然失踪,这位曾经的激进分子仓促踏上了寻女之路,父女二人不得不直面他过往行为种下的恶果……